Editor’s letter, March/April 2014

Editorial Staff Opinion

The photographs by Charles Marville in this issue and on view at the Metropolitan Museum of Art strike me as an important early chapter in the story of our modern lives. Marville’s job was to photograph Paris before and after Baron Haussmann erased its centuries old densely wound streets, replac­ing them with the broad new avenues and alluring vistas that …

Museum and Garden openings around the country

Editorial Staff Calendar

CONNECTICUT New Canaan:  Philip Johnson Glass House (May 1 – Nov. 30);Vukjiko Nakaya: Veil: The artist will use fog to create atmospheric effects in the Glass House’s first site-specific artist project. Night by Vincent Fecteau: Contemporary artists create a series of sculptures inspired by Giacometti’s sculpture Night, which are displayed on the Mies van der Rohe coffee table where Giacometti’s sculpture was displayed prior …

Visions and revisions of Paris

Editorial Staff Exhibitions

Amid the colorless rubble that rises up all around them, amid shattered brick and sheered off walls that once were homes, men gaze, as though shell-shocked, into the camera’s eye. This is hell on earth. It is also Paris, France. The photograph, taken in 1876, depicts the construction of the av­enue de l’Opéra (see p. 122, top). It is now …

End Notes: Photographer Bill Gekas

Editorial Staff Opinion

We enjoy exploring the ways in which contemporary artists look to the past to inform their work. We are especially intrigued by the photography of Australian Bill Gekas, whose primary inspiration for these images of his daughter is clearly the Dutch old masters. Digital photography is his tool, but his evocative images are also the result of astute bor­rowing and …

New exhibition of Renaissance and Baroque bronzes at the Frick Collection

Editorial Staff Exhibitions

New York City’s Frick Collection recently opened an exhibition of Renaissance and Baroque bronzes from the collection of Janine and J. Tomilson Hill. Displayed are thirty-three statuettes, sculptures, and a relief by masters of the Italian, German, Dutch, and French schools of the late fifteenth into the eighteenth century. One highlight is a pair of bronzes titled Sleeping Hermaphrodite and …

Exhibition openings through February 16

Editorial Staff Calendar, Exhibitions

Bamboo Yards, Kyobashi Bridge from the series One Hundred Famous Views of Edo by Utagawa Hiroshige I (1797-1858), 1857. Woodblock print. Museum of Fine Arts, Boston.  Exhibition openings   January 28   “Renaissance and Baroque Bronzes from the Hill Collection”; Brooklyn Museum, Brooklyn, NY “Stories in Sterling; Four Centuries of Silver in New York”; Henry Morrison Flagler Museum, Palm Beam, …

Exhibition openings in December

Editorial Staff Calendar, Exhibitions

Shows across the country featuring photography, painting, sculpture, textiles, and more  Camille Pissarro, Piette’s House at Montfoucault, 1874, oil on canvas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. Image © The Clark. On view at the Museum of Fine Arts, Houston, Texas, beginning December 22. December 6 “Steichen in the 1920s and 1930s: A Recent Acquisition”; Whitney Museum of …

How the West was seen

Editorial Staff Art, Exhibitions

from The Magazine ANTIQUES, November/December 2013 | The Last of the Buffalo by Albert Bierstadt, c. 1888. Signed “AB[conjoined]ierstadt” at lower right. Oil on canvas, 60 ¼ by 96 ½ inches. The challenge of Go West!: Art of the American Frontier is to present us with a century (1830-1930) of familiar and unfamiliar images and to help us see them …

Parisian jewelry and American patrons, real and fictional

Editorial Staff Art

By SHIRLEY BURY; from The Magazine ANTIQUES, April 1992. The formidable skill of Parisian jewelers in interpreting the work of innovative designers was the prime cause of their international popularity. Although craftsmen elsewhere practiced the late eighteenth-century technique of open-backed, or à jour, setting, which allowed light to refract and reflect through the stones, greatly enhancing their brilliance, the contrast …