“We’ve done something that hasn’t been done before,” Stuart P. Feld told me, raising an eyebrow ever so slightly above the rim of his glasses, after the opening earlier this year of Hirschl and Adler’s exciting new gallery in the Crown Building, on the southwest corner of Fifth Avenue and Fifty-seventh Street in midtown Manhattan. And indeed, decorative and fine …
The Japanesque silver of the Whiting Manufacturing Company
from The Magazine ANTIQUES, September/October 2011 | The 1870s and 1880s were some of the most innovative and exciting decades in the history of the American silver industry. Postwar prosperity, the discovery of silver in the American West, and innovations in manufacturing created an ideal environment for the design and fashioning of original objects. Among the most prolific and successful …
Living with antiques: No velvet ropes–a collection in New Jersey
from The Magazine ANTIQUES, September/October 2011 | Called the last of the Georgians by the architect Robert A. M. Stern, Mott B. Schmidt dared to be unfashionable, stubbornly designing traditional houses for town and country long after they were in favor.* Schmidt’s houses in the American Georgian manner usually relied on a restrained combination of red brick, dark shutters, and …
The comeback: The National Academy reopens with six new exhibitions
from The Magazine ANTIQUES, September/October 2011 | The National Academy reopens with six exhibitions designed to reclaim its pivotal role in American art and architecture. Many who stroll along New York’s Museum Mile surely break their stride at the handsome Beaux Arts facade at 1083 Fifth Avenue, just to the north of the Solomon R. Guggenheim Museum. They slow down …
The Man Who Could Do Everything: Louis C. Tiffany at the Charles Hosmer Morse Museum
from The Magazine ANTIQUES, July/August 2011 | View of the Daffodil Terrace from the courtyard. Cohrssen photograph. View of the Living Room gallery from the Reception Hall gallery, showing the hanging turtleback-glass globes and shades, a lunette window, and panels from the Four Seasons window. Cohrssen photograph. Louis Comfort Tiffany (1848-1933) in a photograph by Blank and Stoller, …
Fortunate Son: Reading the memoirs of Albert Sack
from The Magazine ANTIQUES, July/August 2011 | “I was a good student up through 6th grade but then my priorities became play, friends, and girls. Mother kept a beautiful home. Dad was prosperous in carving out his career which interested me not at all.” Card table, John and Thomas Seymour. Boston, c. 1794. Courtesy of the Brant Foundation, Inc. Sideboard, …
American Revivalism: This country’s love affair with the colonial revival
from The Magazine ANTIQUES, May/June 2011 | Entrance hall with staircase to the ballroom in the Susan E. Wagner Wing of Gracie Mansion, New York City, decorated by Jamie Drake, 2002. Photograph by William Waldron, courtesy of Jamie Drake Designs. Howard Johnson’s restaurant, Tichnor Quality Views, produced by Tichnor Brothers, Boston, Massachusetts, c.1940s. Courtesy of the Kummerlowe Archive. Detail …
Summer Destinations
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Not Just Folk: Josyane and Robert Young at home in London
from The Magazine ANTIQUES, July/August 2011 | The brick exterior of the house appears virtually identical to others on its street and to much of the neighborhood of Wandsworth in southwest London. Built in the 1840s by a philanthropic charity as part of a subsidized housing project for uniformed workers (mostly from the nearby railway but also policemen and soldiers), …
More on Manz
Tiffany and Company. Shreve, Crump and Low. Black, Starr and Frost. Marcus and Company. Gorham. Raymond C. Yard. These are just a few of the prominent jewelry retailers supplied by the German-born New York jeweler Gustav Manz in the first decades of the twentieth century. Hitherto little known, Manz’s work is examined in “Where credit is due: The life and …