We’ve arrived at the first anniversary of the podcast and we’ve decided to treat this as an occasion for a little retrospection–this is after all a podcast about antiques–and give you a compilation of some of the more interesting moments from the last year of Curious Objects.
Curious Objects: #YourCuriousObjects
This time it’s your turn. For the last two months, we’ve asked listeners to post their curious objects on Instagram, tagging #mycuriousobject and @antiquesmag.
Art, science, and the Second Great Awakening
The American Folk Art Museum examines the work of Orra White Hitchcock, scientific illustrator and minister’s wife
Curious Objects: Kevin Brown and His Qing-era Map of China
In this episode of Curious Objects, Benjamin Miller stops by the shop of his mentor Kevin Brown, founder of Geographicus Rare Antique Maps, to peruse a monumental Qing-era map of China and its environs.
Art without adjectives
The Met’s exhibition of work from the Souls Grown Deep Foundation has the power to reframe the critical discussion of art.
Curious Objects: ADA executive director Judy Loto and Her Entrancingly Engraved Powder Horn
In this eighth episode of Curious Objects, host Benjamin Miller speaks with Judy Loto, executive director of the Antiques Dealers’ Association and someone he calls an “antiques evangelist.”
Curious Objects: A conversation with luthier Paul Becker
Benjamin Miller talks with Paul Becker, the fifth-generation owner and director of Chicago-based Carl Becker and Son.
Curious Objects: Treasures of the Winter Antiques Show, Part 2
Part two of our special coverage of the 2018 Winter Antiques Show, featuring conversations with eight dealers of furniture, folk art, embroidery, and more.
Shadows and scissors
The life and work of Everet Howard, early American silhouette artist.
Curious Objects: Dealer Stuart Feld: An “Expert in Everything” and an early American linen press
Benjamin Miller caught up with Hirschl & Adler Galleries president Stuart Feld in this second episode of The Magazine ANTIQUES’ podcast Curious Objects. In question was a Boston-made neoclassical linen press, which served as entry point into a discussion about provenance and the more general ins-and-outs of antiquing.










