Below you'll see everything we could locate for your search of “Stuart M. Frank”
from The Magazine ANTIQUES, January/February 2012 | People don’t like hocus-pocus,” Richard Hampton Jenrette tells me. A fit eighty-two, the former lion of Wall Street seems a model of sanity in an insane world. Take his views on finance: “Wall Street has been high-jacked by speculators.” Or industry: “We are foolish to have outsourced our manufacturing.” Fig. 1. Edgewater, as …
from The Magazine ANTIQUES, November/December 2011 | The small town of Bentonville, Arkansas, home to some 35,301 souls in the most recent census, is about to be transformed beyond recognition. Already it enjoys some modicum of renown as the ancestral abode of the Walton family: its late patriarch, Sam Walton, founder of Walmart, opened his first five and dime here …
from The Magazine ANTIQUES, November/December 2011 | Nearly a century and a half after its publication in 1867, Henry Theodore Tuckerman’s Book of the Artists is valued today mainly for its wealth of biographical data. But Tuckerman’s pronouncements summarizing the development of American art culture also deserve closer examination. Of particular interest is his reference to “average taste,” a descriptive …
“We’ve done something that hasn’t been done before,” Stuart P. Feld told me, raising an eyebrow ever so slightly above the rim of his glasses, after the opening earlier this year of Hirschl and Adler’s exciting new gallery in the Crown Building, on the southwest corner of Fifth Avenue and Fifty-seventh Street in midtown Manhattan. And indeed, decorative and fine …
On the heels of its seventy-fifth anniversary last June, the Grosvenor House Art and Antiques Fair announced that it would close. Only time will tell how its absence will shift the balance of European fairs in 2010. In the meantime, Europe’s organizers unveil their plans for the coming year. BRUSSELS Held at the same time as the Winter Antiques Show …
October 2009 | “Chicago is the only American city I have seen where something absolutely distinctive in aesthetic handling of material has been evolved out of the industrial system” – C. R. Ashbee During the late nineteenth and early twentieth centuries Chicago stood at the crossroads of the handcrafted and the machine-made, aspects that came to define the American arts …
On the miniature of George Washington by Robert Field offered by Skinner in 2008