To celebrate the fall season we’ve compiled an extensive—though not exhaustive—list of several upcoming symposiums that present an exciting and diverse roster of talks related to art history, decorative arts, design, and visual culture. We hope that you will have a chance to attend some. October 1-2, 2009“A Long and Tumultuous Relationship”: East-West Interchanges in American Art Smithsonian American Art …
Last shades of summer: first tones of fall
The month offers a last chance to catch some of summer’s notable exhibitions: Islamic ornament in Frankfurt; baroque splendor in Florence; and Dufy ceramics in Ghent. Europe’s big event in September is the Twenty-sixth Biennale in Florence. Ornament The Museum für Angewandte Kunst Frankfurt gets philosophical about the meaning of ornament. In a small but insightful temporary exhibition of approximately …
Behind the Screen: Bright Star with Charlotte Watts
As meditation on the doomed love affair between the poet John Keats (Ben Whishaw) and Fanny Brawne (Abbie Cornish), Jane Campion’s Bright Star is not a typical period film. Critics have praised this intimate, unadorned romance since it premiered at Cannes this spring, as set decorator Charlotte Watts tells us, recreating its sets—all the way down to the upholstery nails—was …
The Connoisseur’s Eye: Grueby vases
Connoisseurship of the vessels produced by the Grueby Faience Company and the Grueby Pottery has been surprisingly slow to develop over the past forty years, during which time collections, exhibitions, and scholarly publications have featured them as exemplars of the American art pottery movement. As early as 1900 Keramic Studio noted that “no collection would be perfect without a piece …
This Week’s Top Lots: September 21 – 25
* Christie’s New York/September 22, Impressionist and Modern ArtThe sale total was $1.6 million, 112 of 142 lots sold. The top lot was Jean-Pierre Cassigneul’s Elisabeth à Deauville that sold for $122,500 (estimate $50,000-70,000). Other top sales were Cassigneul’s La nappe à carreaux that sold for $62,500 (estimate $40,000-60,000), and David Burliuk’s Flowers that sold for $52,500 (estimate $40,000-60,000). * …
The present learns from the past
September 2009 | The Shelburne Museum and The Magazine ANTIQUES have a long history together. Within a year of the museum fully opening in 1953, Alice Winchester, the magazine’s editor, introduced it to her readers as “one of the…most unusual museums” in the country, its “collection of collections” assembled over a lifetime by Electra Havemeyer Webb, whom she described, with …
Editor’s letter, September 2009
One of the things I admire about Electra Havemeyer Webb was her instinctive sense that the cultural designations of high-, low-, and middlebrow were silly. I do not mean to suggest that Webb was a prophet of late twentieth-century multiculturalism or that she could have argued for the relative merits of a beautifully carved duck decoy vis à vis a …
Margrieta van Varick’s East Indian goods
September 2009 | At the time of her death in 1695 in the bucolic village of Flatbush, New York, the textile merchant Margrieta van Varick (nee Visboom, 1649-1695), the widow of the minister Rudolphus van Varick (1645-1694), owned an astonishing array of exotic goods from around the world: Chinese porcelain, Turkish carpets, Japanese lacquerwork, ebony chairs, Dutch paintings, Indonesian cabinets, …
Eyre Hall on Virginia’s Eastern Shore
September 2009 | Photography by Langdon Clay | “Eyre Hall…all through its venerable existence but another name for everything elegant, graceful and delightful in Old Virginia life.” Fanny Fielding’s nostalgic reminiscence of Eyre Hall during the ownership of John Eyre depicts a place we would recognize today.1 Still to be found are “the timely-clipped hedges of box and dwarf-cedar,” “the …
An appreciation of Henry Ossawa Tanner
September 2009 | Within nine years of moving abroad, Henry Ossawa Tanner, America’s first major African American artist, had become an international success. By 1900 he ranked among the leading American artists in Paris and was widely considered the premier biblical painter of his day. Exhibiting regularly at the Paris Salon, he was attracting even greater critical acclaim than Thomas …
