JANUARY/FEBRUARY 2023
Editor’s Letter
Gregory Cerio
Field Notes
Facing Unpleasant Facts
Elizabeth Pochoda
Current and Coming
WPA-era paintings at the Crocker; Frederic Church’s Icebergs at Olana; the self-taught artist Helen LaFrance at the Speed; and more
Farther Afield
Field Trip
Son et Lumière, Twenty-First-Century Style: A visit to an “immersive” art show in New York
James Gardner
Object Lesson
Emotion on the Auction Block
Benjamin Davidson and Pippa Biddle
Further Reading
Notable museum catalogues and other books from the past year
Elizabeth Lanza
Events
Elizabeth Lanza
Endnotes
The Very Model of an English Collector
Eleanor H. Gustafson
Features
Art Deco in Jamaica
The richly elegant furniture designs of Burnett Webster
Henry Haye
Shadowy Figures
On the art of Ugo Mochi and other past masters of the animal silhouette
William McCracken Peck
The Finest Piece of Walnut Furniture of its Type
An excerpt from the new book English Furniture 1680–1760, The Percival D. Griffiths Collection examines the famed Dickinson desk and bookcase
Christian Jussel and William DeGregorio
A Venetian Master Reconsidered
An exhibition at the National Gallery of Art casts new light on Renaissance artist Vittore Carpaccio
James Gardner
An Arts and Crafts Arcadia
A visit to William Morris’s newly restored country home in Oxfordshire, Kelmscott Manor
Barrymore Laurence Scherer
Clay, Commerce, and a Free Man of Color
An important new exhibition traces the life and work of Thomas W. Commeraw, free Black potter of early New York
Mark Shapiro
Living with Antiques: A Labor of Love
Restoring the Daniel Hiester house, an eighteenth-century Pennsylvania gem
Lisa Minardi with photography by Gavin Ashworth and Michael E. Myers