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The subject of a new exhibition at the Palmer Museum of Art at Penn State University, the photographer Eva Watson-Schütze (1867–1935) was a leading member of the Photo-Secession, the early twentieth-century movement founded by Alfred Stieglitz that sought to elevate photography to the status of fine art.
Kentucky by Design: Material Culture, Regionalism, and the New Deal at the Frazier History Museum in Louisville is an exhibition eighty years in the making. The show examines the never-before-seen work of Kentucky artists who contributed to the Index of American Design, part of the New Deal’s Federal Art Project.
A new program takes shape at New York’s Morris-Jumel Mansion.
No other American poet—maybe no other American writer—excites more curiosity than Emily Dickinson.
A new exhibition opening January 27, 2017 at the Fairfield University Art Museum in Connecticut aims to restore some luster to Adolf Dehn’s name.
David Remnick, in a post-election piece in the New Yorker, went so far as to describe Trump as “vulgarity unbounded.” Are we about to have a four-year crash course in this topic? Maybe it’s time to take a closer look.
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