Editor’s letter, May/June 2015

Editorial StaffOpinion

We missed something this spring, and at this point all I can do is urge you not to miss it too. I refer to When the Curtain Never Comes Down at the American Folk Art Museum, closing July 5. There is much to say, even much to debate, about what is happening with outsider art in the museum’s galleries, and …

Wonder and menace, dreams and nightmares: Visions of Coney Island

Editorial StaffExhibitions

Fig. 1. Steeplechase Funny Face, n.d. Painted metal; diameter 23 inches. Collection of Ken Harck. An extraordinary array of artists have perceived Coney Island as a prism through which to view the American experience. Their visions have imagined the future and recalled the past; they have conveyed shifting ideas about leisure, and explored issues of race, ethnicity, and class. What …

The gold dust twins: Thomas Hart Benton, Walt Disney, and the mining of frontier mythology

Jake Milgram WienExhibitions

      Fig. 1. Thomas Hart Benton (1889–1975), c. 1944. Gelatin silver print, 9 ¼ by 7 ¼ inches. Private collection. Fig. 2. Walt Disney (1901–1966) by George Hurrell (1904–1992). Gelatin silver print, 9 by 7 inches. Courtesy of Laguna Art Museum and Walt Disney Company © Estate of George Hurrell. In March 1946 Thomas Hart Benton (Fig. 1) …

Figures in a landscape: sculpture in the British garden

Editorial StaffFurniture & Decorative Arts, Magazine

This article was originally published in the 1987 October issue of ANTIQUES. Pl. XIII. At the end of the beech allée at Chatsworth in Derbyshire is a colossal marble bust of William George Spencer Cavendish (1790 – 1858), sixth duke of Devonshire, on a marble column from the Temple of Minerva Sunias in Greece. No English country-house garden would be …

The allure of Leeds House: An unparalleled private collection finds its ideal home in Philadelphia

Editorial StaffExhibitions, Living with Antiques

Last winter, one of America’s great private collections slipped quietly from its urban home of nearly two decades in upper Manhattan to the splendor of a historic estate in Philadelphia. Preparing to move the peerless arts and crafts furniture, metalwork, glass, and ceramics, not to mention the sculptures, paintings, and works on paper, consumed the prior autumn months. Art handlers …

Making friends with fraktur: Some thoughts on the exhibition Drawn with Spirit at the Philadelphia Museum of Art

Editorial StaffExhibitions

If you are fraktur ignorant, fraktur agnostic, or fraktur allergic, this is an exhibition that should win you over. From its opening moment where a huge curving wall enlarges a small 1834-1835 gem of Adam and Eve attributed to Samuel Gottschall, the visitor is primed for seduction. How cunning of this artist to have depicted Eve being seduced by a …

Current and coming: Rivera and Kahlo in Detroit

Editorial StaffExhibitions

To celebrate its rebirth as an independent museum after the city’s brush with bankruptcy, the Detroit Institute of Arts is mounting Diego Rivera and Frida Kahlo in Detroit, focusing on what is arguably the quintessential Detroit work of art, Detroit Industry, Rivera’s monumental twenty-seven-panel mural for the museum’s courtyard. Preparatory drawing for Pharmaceutics, part of the Detroit Industry mural by …

Current and coming: Horace Pippin in Chadds Ford

Editorial StaffExhibitions

John Brown Going to His Hanging by Horace Pippin, 1942. Pennsylvania Academy of the Fine Arts, Philadelphia, John Lambert Fund. Although his reputation as an artist of consequence has never faltered, Horace Pippin, who was widely exhibited in the 1940s when he was championed by Albert Barnes among other luminaries, has not had a major exhibition in more than two …

Current and coming: Coney Island in Hartford

Editorial StaffExhibitions

The Steeplechase, Coney Island by Milton Avery, 1929. Metropolitan Museum of Art, gift of Sally M. Avery. Image © 2013 Milton Avery Trust/Artists Rights Society (ARS), New York © Metropolitan Museum of Art. There will be four venues in the coming year for the exhibition Coney Island: Visions of an American Dreamland, 1861-2008. Would that there were forty more so …

War, politics, and the diaspora of Irish art and design

Editorial StaffFurniture & Decorative Arts, Magazine

When The Magazine ANTIQUES started publication in January 1922, it coincided with the end of the War of Independence between Ireland and Great Britain and the beginning of a self-inflicted and even more brutal Civil War among opposing factions of the Irish Republican Army that would last until 1923.1 Although ANTIQUES ’s mandate was to whet its readership’s appetite for the …