Below you'll see everything we could locate for your search of “The Magazine ANTIQUES”
By Michael R. Cunningham; from the Magazine ANTIQUES, July 2001 The idea of landscape in the West has historically been aligned with geography. The appearance of a given earthbound place in a painting or photograph normally initiates for the Western viewer an immediate response of physical orientation. We wish to understand the particular environmental conditions and perhaps the terrain …
By FREDERICK A. SWEET; from The Magazine ANTIQUES, March 1945. Toward the end of the nineteenth century America’s art collectors were captivated by French taste and filled their gilt drawing rooms with salon figure pieces and bucolic scenes by members of the Barbizon school. Our own painters such as George Inness and Homer Martin, had to follow French trends, in order to …
By AGNES M. DODS; from The Magazine ANTIQUES, May 1947. THE WORK OF SARAH GOODRIDGE, one of the lesser known miniature painters of New England, has been increasing steadily in popularity for some years. Although her claim to fame rests mainly on her miniature of Gilbert Stuart, a diligent search of the countryside has brought to light many excellent likenesses from …
By PAUL MAGRIEL; from The Magazine ANTIQUES, January 1948. Paul Magriel was formerly on the staff of the Museum of Modern Art, where he arranged a number of exhibitions on the history of dancing. His exhibition, The Ring and the Glove, on view at the Museum of the City of New York until April 4, 1948, is the first full-scale retrospective exhibition of …
By LOUIS C. JONES; from The Magazine ANTIQUES, July 1951. For miles through the silent mountains the trickle flows-a vagrant brook playing at the feet of mountains-from the beginnings to the sea, guarded and shadowed by mountains. Cabins and shabby forms lie beside it-housing men to whom guns and a rod are dearer by far than the ho and the plow. There …
By JOAN SAYERS BROW; from The Magazine ANTIQUES May 1978. The handsome slant-front desk illustrated here was originally owned by Colonel George William Fairfax (1724-1787), whose estate, Bevoir, was near Mount Vernon on the Potomac River in Virginia. In April 1773 Fairfax took his wife, sally Cary, to England, after asking his neighbor George Washington to watch over Belvoir while they were …
By J. S. BROWN; From The Magazine ANTIQUES, July 1978. Skippets are small boxes made to hold and protect pendent wax seals attached to important documents. Silver, silver-gilt, and gold examples were used by the United States government between 1815 and 1871, primarily on treaties with other countries that had been ratified by Congress. The skippet was suspended from the treaty by …
By Geoffrey de Bellaigue, Deputy surveyor of the Queen’s Works of Art Originally published by The Magazine ANTIQUES in May 1966. From the day that George IV, as Prince of Wales, first took up residence at Carlton House when he came of age in 1782, to his death in 1830, he collected French works of art on a scale previously …
from The Magazine ANTIQUES, November/December 2012 | On a spring morning in April 1926 a crowd stood transfixed on Fifth Avenue and Fifty-Seventh Street, watching a wrecking ball slam into the floors and walls of the Collis P. Huntington mansion (see Fig. 3). Among them was a tall mustachioed man, Archer M. Huntington (1870-1955), who stoically watched the destruction of …
It has become almost a folk legend among decorative arts scholars: the story of Joseph Downs (1895 – 1954), then curator of the American Wing of the Metropolitan Museum of Art in New York City, announcing at the 1949 Williamsburg Antiques Forum that “little of artistic merit was made south of Baltimore.”1 The comment prompted an offended woman from Kentucky …