from The Magazine ANTIQUES, January/February 2013 | One hundred years ago, even fifty years ago, the act of monumental commemoration was a relatively simple affair. A victory in battle or the founding of an institution was seen, at least as regarded the monument in question, to be completely good. A massacre or natural catastrophe was assumed to be completely bad. Anyone deserving …
Curiously Carved: Pictorial Sources of Scrimshaw
from The Magazine ANTIQUES, January/February 2013 | Contrary to persistent stereotypes characterizing seamen in the Age of Sail as a barbaric rabble-unruly, illiterate ruffians devoted to the pursuit of disreputable vices-nineteenth-century Yankee whalemen were characteristically literate and, as a class, avid readers. Whaling voyages were matters of two, three, or even four years’ duration, including months at sea between landfalls; …
Dated English delftware and slipware in the Longridge Collection
By Leslie B. Grigsby. Originally published in June 1999. The Longridge Collection of ceramics is English pottery Valhalla. Nestled in a New England house with rare English and Continental treen, medieval ivory and metalwork, and early furniture and carvings, this extraordinary collection of ceramics can be divided into two main groups: about 440 pieces of tinglazed earthenware (delftware) and 100 …
Past, Present, and Future at the Huntington
from The Magazine ANTIQUES, May/June 2012 | Its name, the Huntington Library, Art Collections, and Botanical Gardens, pretty well covers what this singular institution in San Marino, California, is all about. But it hardly begins to tell the story. The creation of Henry E. Huntington, a man with forward-looking business sense and retrospective tastes in art and literature, the Huntington today is …
The Kaufman Collection: The pursuit of excellence and a gift to the nation
Photography by Gavin Ashworth | from The Magazine ANTIQUES, May/June 2012 | In my catalogue of friends, mentors, scholars, and collectors, Linda H. and the late George M. Kaufman fill all the roles. From my earliest acquaintance with them in 1974, I have been in awe of their collection and of their indefatigable focus on beauty and excellence in their Norfolk, …
Antiques Week in Philadelphia: The Philadelphia Antiques Show
From its redesigned catalogue to its sleek new stands, the Philadelphia Antiques Show looked younger than its 51 years when it opened on Friday, April 27, for a five-day run. Organized as a benefit for Penn Medicine, the show is one of the oldest and most traditional in the country with a reputation for top-flight American, English, and …
Antiques Week in Philadelphia: 23rd Street Armory Antiques Show
Thurston Nichols, Breinigsville, Pa. 23rd Street Armory Antiques Show. Charles Wilson, West Chester, Pa. 23rd Street Armory Antiques Show. Bruce Shoemaker, Baldwin House Antiques, Strasburg, Pa. 23rd Street Armory Antiques Show. Jewett- Berdan Antiques, Newcastle, Me. 23rd Street Armory Antiques Show. Hilary and Paulette Nolan, Falmouth, Ma. 23rd Street Armory Antiques …
On Southern Turf
from The Magazine ANTIQUES, January/February 2012 | For Mary and Hank Brockman the proper preservation of the South’s material culture includes art, architecture, artifacts and the landscape. Fig. 22. The back stairwell is hung with Depression era photographs of the American South. One wall holds elegiac images of southern mansions by surrealist photographer John Clarence Laughlin (1905-1985), whose Ghosts Along …
Winter Antiques Show 2012
We asked exhibitors at the Winter Antiques Show to highlight one exceptional object in their booths and describe it as they might to an interested collector. Here are the things they chose, along with some of their comments. Barbara Israel Garden Antiques We are thrilled to be bringing a cache of extraordinary objects to the 2012 Winter Antiques Show, including …
Rose Fever: The paintings of George Cochran Lambdin
from The Magazine ANTIQUES, November/December 2011 | After his death in 1896 George Cochran Lambdin was remembered by friends and memorialists alike for his paintings of roses. According to the Philadelphia Inquirer, “Mr. Lambdin is known wherever there is anything known of American art as the facile princeps in this specialty.”1 At the height of the tea rose craze during …
