David Remnick, in a post-election piece in the New Yorker, went so far as to describe Trump as “vulgarity unbounded.” Are we about to have a four-year crash course in this topic? Maybe it’s time to take a closer look.
The Whitney After All
Some things just aren’t meant to fit in. The Whitney Museum of American Art certainly sounds like an august institution. But it was born on a scruffy back street in Greenwich Village at a time when “bohemian” meant “disreputable,” and during its six decades uptown—most of them at Madison Avenue and Seventy-Fifth Street, in the moneyed precincts of the Upper …
Figures in a landscape: sculpture in the British garden
This article was originally published in the 1987 October issue of ANTIQUES. Pl. XIII. At the end of the beech allée at Chatsworth in Derbyshire is a colossal marble bust of William George Spencer Cavendish (1790 – 1858), sixth duke of Devonshire, on a marble column from the Temple of Minerva Sunias in Greece. No English country-house garden would be …
War, politics, and the diaspora of Irish art and design
When The Magazine ANTIQUES started publication in January 1922, it coincided with the end of the War of Independence between Ireland and Great Britain and the beginning of a self-inflicted and even more brutal Civil War among opposing factions of the Irish Republican Army that would last until 1923.1 Although ANTIQUES ’s mandate was to whet its readership’s appetite for the …
About books
Recent noteworthy publications that are a pleasure to read and a delight to behold French Art Deco by Jared Goss (Metropolitan Museum of Art, distr. Yale University Press). 280 pp., color and b/w illus. As an artistic term, art deco is one of the most misunderstood. “Art Deco is commonly referred to as a ‘style,’ a designation that suggests specific shared characteristics,” …
More than a treasure box
The Carnegie mansion is still home to what was once known as the Cooper-Hewitt National Design Museum, an outpost of the Smithsonian that has now banished its hyphen, flung open its doors, and reinvented itself as a twenty-first-century digitally enhanced experience.
Cradle of liberty, cradle of craft
from The Magazine ANTIQUES, March/April 2013 | An impressive roster of renowned craftsmen trained and worked in Philadelphia during the twentieth century. This flourishing activity is due to the city’s long history as a center for artisans extending back to the time of its founding. The French Huguenot silversmith Cesar Ghiselin arrived in Pennsylvania in 1681 in the company of …
How America found its face: Portrait miniatures in the New Republic
By Elle Shushan; from The Magazine ANTIQUES, April 2009. The stunning events of July 1804 were almost unfathomable for the citizens of the new American republic. One Founding Father had fatally wounded another. Alexander Hamilton was dead and Aaron Burr would be indicted for murder. The duel and its aftermath marked a turning point in American culture. Fig. 17. Thomas Cole …
Past, Present, and Future at the Huntington
from The Magazine ANTIQUES, May/June 2012 | Its name, the Huntington Library, Art Collections, and Botanical Gardens, pretty well covers what this singular institution in San Marino, California, is all about. But it hardly begins to tell the story. The creation of Henry E. Huntington, a man with forward-looking business sense and retrospective tastes in art and literature, the Huntington today is …
Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939
from The Magazine ANTIQUES, March/April 2012 | In 1851 Albert, prince consort of Queen Victoria, and the architect Henry Cole realized their grand vision of an international exhibition where the traditions, aspirations, and accomplishments of many nations were showcased.1 Hardware at the Great Exhibition by Joseph Nash (1809-1878), from Dickenson’s Comprehensive Pictures of the Great Exhibition of 1851 (London 1852). Color lithograph. Victoria and Albert Museum, …