On view at the National Gallery of Art, Fragonard’s tetes de fantaisie evince some of the earliest stirrings of modernism.
The Morgan Library & Museum celebrates Count Carl Gustaf Tessin, art patron extraordinaire.
This month the Frick opens Pierre Gouthière: Virtuoso Gilder at the French Court, the first show devoted to the work in gilded metal—traditionally called bronze d’oré in French—by an artist whose achievements placed him among the finest French masters of the eighteenth century.
By JOHN HAYWARD; from The Magazine ANTIQUES, April 1955. Most aspects of eighteenth-century arts and crafts have been the subject of detailed and exhaustive research in the course of the past fifty years. The jewelry of the period, however, has been somewhat neglected in favor of Renaissance jewelry (so called, though much of it dates from the first half of the seventeenth …