Pictorialist Photography in Cleveland

Editorial Staff Art, Exhibitions

Julia Margaret Cameron’s “photography has been a touchstone for generations of photographers. The pictorialists adored her,” writes Phillip Prodger in our article about the British photographer in this issue. And he couldn’t be more right, says Barbara Tannenbaum, curator of photography at the Cleveland Museum of Art and co-curator of the museum’s stunning exhibition Shadows and Dreams: Pictorialist Photography in …

One Off

Editorial Staff Art, Exhibitions

“There has never been another artist like George Caleb Bingham”   Fig. 1. The Jolly Flatboatmen by Bingham, 1846. Oil on canvas, 38 by 48 ½ inches. National Gallery of Art, Washington, D. C., Patrons’ Permanent Fund. Before the middle of the nineteenth century, most American artists were “outsider” artists, in the sense that these denizens of the New World stood …

High tops and low

Editorial Staff Exhibitions

Among the contents of the Allen Ginsberg Papers in Stanford University’s Green Library is a pair of worn and dirty tennis shoes. In the thousand linear feet of correspondence, photographs, manuscripts and notes, reel-to-reel recordings, performance posters, and broadsides, the beat-up sneakers hold their own. Purchased during his 1965 visit to Czechoslovakia, it is reasonable to surmise that Ginsberg wore …

Disturbers of the Peace

Editorial Staff Exhibitions, Magazine

Arthur Bispo do Rosário at the Colônia Juliano Moreira, photograph by Walter Firmo, 1985. Private collection; © Walter Firmo, image courtesy Livre Galeria. One sign of an important exhibition may be its ability to move us into unfamiliar territory. By that measure, as by others, the recent show at the American Folk Art Museum, When the Curtain Never Comes Down, …

On stage in the garden: The roots of Frida Kahlo’s art at the New York Botanical Garden

Editorial Staff Art, Exhibitions

After decades of lionization, what more could there be to say about Frida Kahlo? A great deal, as a visit to Frida Kahlo: Art, Garden, Life, the new exhibition at the New York Botanical Garden, proves. All it took was a fresh perspective and a unique team of talents. Born in 1907, Kahlo was, along with her husband, fellow painter …

Farther afield: Mannequins at the reopened Musée Bourdelle

Editorial Staff Exhibitions

The Musée Bourdelle reopens after an eight-month renovation with a special exhibition devoted to artists’ mannequins. The show plumbs the “unsettling strangeness” of these objects with a display of rare mannequins from the eighteenth century to the present day as well as paintings, drawings, engravings, and photographs that reveal their relationships with the artists who depicted them. A catalogue has …

Gray matters

Editorial Staff Exhibitions, Furniture & Decorative Arts

Recent films, exhibitions, and books re-establish Eileen Gray’s reputation and start to set the record straight   History was made at the Grand Palais in Paris on February 24, 2009, when lot 276 in Christie’s sale of the collection of Yves Saint Laurent and Pierre Bergé was hammered down. In the midst of an economic recession, Eileen Gray’s Dragons armchair …

Wonder and menace, dreams and nightmares: Visions of Coney Island

Editorial Staff Exhibitions

Fig. 1. Steeplechase Funny Face, n.d. Painted metal; diameter 23 inches. Collection of Ken Harck. An extraordinary array of artists have perceived Coney Island as a prism through which to view the American experience. Their visions have imagined the future and recalled the past; they have conveyed shifting ideas about leisure, and explored issues of race, ethnicity, and class. What …

The gold dust twins: Thomas Hart Benton, Walt Disney, and the mining of frontier mythology

Jake Milgram Wien Exhibitions

      Fig. 1. Thomas Hart Benton (1889–1975), c. 1944. Gelatin silver print, 9 ¼ by 7 ¼ inches. Private collection. Fig. 2. Walt Disney (1901–1966) by George Hurrell (1904–1992). Gelatin silver print, 9 by 7 inches. Courtesy of Laguna Art Museum and Walt Disney Company © Estate of George Hurrell. In March 1946 Thomas Hart Benton (Fig. 1) …

The allure of Leeds House: An unparalleled private collection finds its ideal home in Philadelphia

Editorial Staff Exhibitions, Living with Antiques

Last winter, one of America’s great private collections slipped quietly from its urban home of nearly two decades in upper Manhattan to the splendor of a historic estate in Philadelphia. Preparing to move the peerless arts and crafts furniture, metalwork, glass, and ceramics, not to mention the sculptures, paintings, and works on paper, consumed the prior autumn months. Art handlers …