This first retrospective assessment of the bohemian jeweler and self-promoter extraordinaire is late in coming
At home in modernism: The John C. Waddell collection of American design (From our Archives)
Waddell’s New York City apartment is filled with striking examples of American design from between the wars
The Unexpected Art of Mary Sully
A new book examines the singular work of an American Indian modernist.
In Defense of Ornament
Is less more? Or is too much never enough?
How modern architecture came to Miami Beach
In 1933 Florida Governor David Sholtz wrote that the states various exhibits at Chicago’s Century of Progress exposition were “but the ‘Show Rooms of the state,'” adding, we further invite you to visit the ‘Play Ground of the Nation.'” The Florida Tropical House, constructed for the Home and Industrial Arts Group section of the exposition and built alongside ten other homes on the shores of Lake Michigan, was one such showroom.
Around the world with art deco
The Wolfsonian’s exhibition Deco: Luxury to Mass Market offers an overview of this new aesthetic, presenting its unfamiliar dimensions and different iterations in Europe and across the Atlantic. Art deco is primarily characterized by an emphasis on surface decoration, symmetry, angularity, and stylization.
Artistic Affinities: On the edge of something new at the Shelburne Museum
Electra Havemeyer Webb, the founder of the Shelburne Museum, was a collector of astonishingly wideranging interests. Her diversity of tastes is reflected in holdings that include carriages, decoys, weather vanes, and antique bedcoverings, as well as paintings by Manet, Courbet, and Monet, and the steamboat Ticonderoga. Yet with its pastoral Vermont setting and a campus dotted with examples of vernacular New England architecture, the museum is primarily associated by many with its outstanding collection of folk art and Americana.
The Yale Center for British Art Reopens
The Library Court of the Yale Center for British Art, following its recent reinstallation. Photograph by Richard Caspole. Traditional architecture can age gracefully but nothing is more dispiriting than modernism gone to seed. That may be especially true of Louis Kahn’s work because Kahn hid nothing; it was part of his bravery, and his ethics, to put every …
Recent films, exhibitions, and books re-establish Eileen Gray’s reputation and start to set the record straight History was made at the Grand Palais in Paris on February 24, 2009, when lot 276 in Christie’s sale of the collection of Yves Saint Laurent and Pierre Bergé was hammered down. In the midst of an economic recession, Eileen Gray’s Dragons armchair …
Southern California modernism engages colonial New England
from The Magazine ANTIQUES, July/August 2012 | An advertisement placed by the Los Angeles department store Barker Brothers in the Los Angeles Times on November 13, 1929, records the earliest appearance of Porter Blanchard’s Commonwealth pattern, the first American flatware pattern to embrace modernism in both form and ornament (Fig. 3). Nine months later Barker Brothers featured Commonwealth again, in …
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