A fantasia in ceramic, Leighton House in London testifies to the decorative sense of its namesake builder, artist Frederic Leighton, and the craftsmanship of William De Morgan.
One of the most discerning collectors of costume jewelry is fashion designer Norma Kamali, who has been snapping up lux and creative examples from around the world since the 1960s.
Double Exposure-From the bullfighting ring to the atelier, Portuguese photographic pioneer Carlos Relvas constructed an early studio every bit as eccentric as his life. ⬬
From Me to Thee-Edward Gorey’s genre-defying illustrations meet an unexpected medium. ⬬
When Edith Met Electra-A New York gallery maven and a forward-thinking collector, both women, drew the boundaries of the new field of American folk art collecting. ⬬
Do Surrealists Dream of Enameled Eyes?-A dazzling exhibition of jewels designed by surrealist artists of the early twentieth century to take us back to a more whimsical time. ⬬
The Object Ideal-If you’ve ever wondered what the perfect version of an everyday object looks like, you can see it in person at Robert Young Antiques in London this October. ⬬
All-American Dream Cruise-The annual tradition of the Motor City’s Woodward Dream Cruise jumpstarted in 1995 as a municipal fundraiser for the city of Ferndale. Since, the event has evolved into action as one of the biggest car-crazed events in the world. ⬬
Windows to the Soul-A collection of Federal American vernacular portraits demonstrates the intimate allure of the genre. ⬬
Outsiders Living in My House-When he purchased his contemporary Memphis home, collector John Jerit wasn’t sure it would suit his outsider art collection, but over the years it has proved to be the perfect pairing. ⬬
Exhibitions: Green Mountain Magic-Magic realism was a distinctly American twentieth century genre in the sense that it constituted a unique merger of European surrealism of the 1920s and ’30s, with the long tradition of realist painting in the United States. ⬬
Exhibitions: A Room of Their Own-Peek around an elaborate wood screen and into a lush garden. It’s a watercolor by Anna Alma-Tadema, painted when she was nineteen. ⬬