Victoriana at Lyndhurst

Editorial StaffExhibitions

Part of a ten-piece suite of parlor furniture designed by the Herter Brothers (probably Gustave Herter), 1869, installed at Lyndhurst by Jay Gould in 1882. Sturges photograph, courtesy of Lyndhurst. Three Parlors, a new display of three sets of Victorian parlor furniture, is on view at Lyndhurst through the end of 2013. The exhibition will include works, many in storage …

The Deerfield Inn reopens

Editorial StaffMagazine

When it comes to historic preservation too much reverence is not always a good thing. Philip Zea, president of Historic Deerfield, observes that one of the most devastating effects of 2011’s Hurricane Irene was the closing of the Deerfield Inn in the village. “The inn animates the street,” he says. “It’s right in the middle of things and even its …

Tiffany in Chicago

Editorial StaffExhibitions

Dragonfly lamp by Tiffany Studios, shade designed by Clara Driscoll (1861–1944), c. 1902–1906. Blown glass, patinated bronze. Richard H. Driehaus Museum, Chicago; photograph by John Faier. The distinguished Chicago philanthropist Richard H. Driehaus has pursued Louis Comfort Tiffany’s “quest of beauty” since the early 1980s, when he bought his first stained-glass window attributed to the master artist. Over the next …

Spanish American Riches in Brooklyn

Editorial StaffExhibitions

Folding screen with the Siege of Belgrade (front), Mexican, c. 1697–1701. Oil on wood, inlaid with mother-of-pearl. Brooklyn Museum, gift of Lilla Brown in memory of her husband, John W. Brown, by exchange. Objects in gold and silver, inlaid and gilded furniture, sumptuous fabrics, Asian porcelains, dazzling por­traits-the Spanish colonial elite had it all, and flaunted it proudly within the …

Catherine the Great in Georgia

Editorial StaffExhibitions

Censer, Russian, late seventeenth century. Silver and parcel gilt. Hillwood Estate, Museum and Gardens, Washington, D. C. Crowned empress of Russia in 1762, Catherine II was determined to change the perception through­out Europe that Russia was a cultural backwater. Having lived at court since 1744, when she became engaged to the future Peter III, Catherine had immersed herself in Russian …

West and Copley in Houston

Editorial StaffExhibitions

 Watson and the Shark by John Singleton Copley (1738–1815), 1778. Oil on canvas. National Gallery of Art, Washington, Ferdinand Lammot Belin Fund. An adventurous exhibition at the Museum of Fine Arts, Houston should alter our views on the influence of ear­ly American painting and painters. American Adversaries: West and Copley in a Transatlantic World explores the way in which two colonial painters …

On the money

Editorial StaffArt

By Laura Beach Yorkshire calendar and almanac Calendar and almanac, probably York or Ripon, Yorkshire, England, c. 1425. Ink, tempera, and gold leaf on parchment, each page 6 by 4 1/8 inches. WHY:  Priced in the six figures by Les Enluminures of Paris, New York, and Chicago, this calendar and almanac of about 1425, with prognostications in Latin, illustrates the English …

Upcoming auctions

Editorial StaffArt, Calendar

October 22   Prints & Multiples at Bonhams, San Francisco, CA    bonhams.com October 24   Fine American and European Painting, Drawings, and Sculpture at Shannon’s Fine Art Auctioneers, Milford, CT    shannons.com October 25   Works of Art, Rarities, and Collectibles, online     auctionata.com October 28   Fine European Furniture and Decorative Arts at Bonhams, San Francisco, CA    bonhams.com October 30   Old Master through Modern Prints …

New Light on the Old Masters

Editorial StaffArt

from The Magazine ANTIQUES, September/October 2013. In its ceremony and its symbolism, the staircase that leads up to the Metro­politan Museum’s galleries of Old Mas­ter paintings is one of the grandest theatrical experiences that New York has to offer. There are elevators, of course, and an escalator has been discreetly tucked away on the left. But to use them is …

Life Studies: Edward Hopper’s drawings

Editorial StaffArt

from The Magazine ANTIQUES, September/October 2013. The hope of the artist is to resist interpre­tation. Emerson said that “to be great is to be misunderstood” and, pressed to explain his troubles, Hamlet cried to his inter­locutors, “You would pluck out the heart of my mystery.” Among contemporary artists, Jasper Johns has made a creed of reticence, and Edward Hopper was …