Some things just aren’t meant to fit in. The Whitney Museum of American Art certainly sounds like an august institution. But it was born on a scruffy back street in Greenwich Village at a time when “bohemian” meant “disreputable,” and during its six decades uptown—most of them at Madison Avenue and Seventy-Fifth Street, in the moneyed precincts of the Upper …
Editor’s letter, September/October 2015
One afternoon not long after I began working here I opened a letter that asked me a challenging question: how, the writer wanted to know, “did a Polack [sic] like you get your position?” After a few jolly moments in the office I called our longtime editor Wendell Garrett, who enjoyed odd news from the passing scene. Wendell was amused, …
Seventeenth-century French enameled watches in the Walters Art Gallery
This article was originally published in the December 1963 issue of ANTIQUES. In his book Old Clocks and Watches and their Makers, F. J. Britten notes that “watches with enamel painting before 1640 are exceedingly rare, and there is a marked difference in the character of such decorative work executed at the beginning, compared with that done during the later …
Four Seasons at Shelburne
from The Magazine ANTIQUES, July/August 2013 | IN HER FIRST ANNUAL REPORT, in 1948, Electra Havemeyer Webb, founder of Shelburne Museum, expressed her desire for “a building or adequate space in one for educational programs and loaned exhibits.” The new Pizzagalli Center for Art and Education, which will hold exhibitions, lectures, films, concerts, and workshops, even during the challenging months …
Georges Hoentschel and his world
from The Magazine ANTIQUES, March/April 2013 | The life of the Parisian decorator, collector, one-time architect, and ceramist Georges Hoentschel (Fig. 2), head of the renowned furnishing firm Maison Leys, coincided with a period of far reaching change in France. After the Franco-Prussian War of 1870 and the devastation of the civil war (la commune), the Third Republic (established after …
The Kaufman Collection: The pursuit of excellence and a gift to the nation
Photography by Gavin Ashworth | from The Magazine ANTIQUES, May/June 2012 | In my catalogue of friends, mentors, scholars, and collectors, Linda H. and the late George M. Kaufman fill all the roles. From my earliest acquaintance with them in 1974, I have been in awe of their collection and of their indefatigable focus on beauty and excellence in their Norfolk, …
Winter Antiques Show 2012
We asked exhibitors at the Winter Antiques Show to highlight one exceptional object in their booths and describe it as they might to an interested collector. Here are the things they chose, along with some of their comments. Barbara Israel Garden Antiques We are thrilled to be bringing a cache of extraordinary objects to the 2012 Winter Antiques Show, including …
Struggles many and great: James P. Ball, Robert Duncanson, and other artists of color in antebellum Cincinnati
from The Magazine ANTIQUES, November/December 2011 In 1854 Gleason’s Pictorial, the popular, nationally circulated magazine out of Boston, published an article promoting the lavish “Daguerrian Gallery” established in Cincinnati by James P. Ball (Fig. 6), lauding his images as “unsurpassed by any in the Union.”1 In fact, Ball’s Gallery (see Figs. 2, 4) was not so unusual. Mathew Brady’s popular …
Fortunate Son: Reading the memoirs of Albert Sack
from The Magazine ANTIQUES, July/August 2011 | “I was a good student up through 6th grade but then my priorities became play, friends, and girls. Mother kept a beautiful home. Dad was prosperous in carving out his career which interested me not at all.” Card table, John and Thomas Seymour. Boston, c. 1794. Courtesy of the Brant Foundation, Inc. Sideboard, …
A Director’s Vision: The Legacy of Anne d’Harnoncourt
The Philadelphia Museum celebrates the memory of its former director

