Current and coming: Horace Pippin in Chadds Ford

Editorial Staff Exhibitions

John Brown Going to His Hanging by Horace Pippin, 1942. Pennsylvania Academy of the Fine Arts, Philadelphia, John Lambert Fund. Although his reputation as an artist of consequence has never faltered, Horace Pippin, who was widely exhibited in the 1940s when he was championed by Albert Barnes among other luminaries, has not had a major exhibition in more than two …

Current and coming: Coney Island in Hartford

Editorial Staff Exhibitions

The Steeplechase, Coney Island by Milton Avery, 1929. Metropolitan Museum of Art, gift of Sally M. Avery. Image © 2013 Milton Avery Trust/Artists Rights Society (ARS), New York © Metropolitan Museum of Art. There will be four venues in the coming year for the exhibition Coney Island: Visions of an American Dreamland, 1861-2008. Would that there were forty more so …

Morse at the Huntington Library

Editorial Staff Art

It would probably surprise Samuel F. B. Morse, and not pleasantly, that future generations know him for his invention of Morse code and his services to telegraphy, rather than for those paintings, produced over six decades, that were the serious business of his life. Despite a strict Protestant upbringing, Morse (1791-1872) spent three years in Europe under the tutelage of …

Cartier in Denver

Editorial Staff Exhibitions

In Brilliant: Cartier in the 20th Century the Denver Art Museum has taken a seventy-five-year slice (1900-1975) from the illustrious firm’s 160-plus-year history and illuminated a central paradox of great jewelry: greatness depends upon designs that capture a keen sense of the zeitgeist but do so with enough sheer awesomeness to stand far above it. And so, the exhibition’s vitrines …

Suida-Manning Collection at the Blanton Museum

Editorial Staff Art

For art lovers, the most interesting thing in Austin, Texas, is not the LBJ Presidential Library or the grandiose State House–impressive as both of them are–but the Jack S. Blanton Museum of Art on the campus of the University of Texas. A fine example of a university or college museum, it has strong collections of American and Latin American art, …

Schoolgirl needlework at the Morven Museum

Editorial Staff Exhibitions

This year marks the 350th anniversary of NewJersey, a milestone celebrated across the state with events and pro­grams highlighting innova­tion, diversity, and liberty. The Morven Museum and Garden in Princeton is marking the occa­sion with an exhibition that in­troduces all three themes. Hail Specimen of Female Art! New Jersey Schoolgirl Needlework, 1726-1860 brings together 150 examples of needlework made in …

George Caleb Bingham at the Amon Carter Museum

Editorial Staff Art, Exhibitions

When Virginia-born George Caleb Bingham was seven, his father lost most of the family’s fortune, and they moved to Missouri to build a new life, settling first in Franklin, on the banks of the Missouri River, and later on a farm in Saline County. Who knows what would have caught his imagination had Bingham stayed in Virginia, but there is …

A Century of Mourning Attire at the Met

Editorial Staff Exhibitions

Death Becomes Her, the Costume Institute’s first fall exhibition in eight years, examines American and English bereavement rituals of the nineteenth and early twentieth centuries. Period fashions and accessories, including hats, shawls, parasols, and jewelry, along with fashion plates, satirical illustrations, and mourning pictures reveal the formal rituals of bereavement, mostly observed by women. A woman’s selection of mourning clothing …

Egon Schiele at the Neue Galerie

Editorial Staff Exhibitions

What Egon Schiele would have achieved had he lived beyond his twenty-eighth year is a matter to keep art historians up at night. When he died of Spanish influenza in 1918 he had already accomplished an astonishing amount: some three thousand drawings as well as paintings and sculpture of sufficient merit to position him as the heir to the late …

Salon style at the New-York Historical Society

Editorial Staff Exhibitions

There is an excellent reason why we no longer hang paintings as they have now done in an odd but worthy exhibition at the New-York Historical Society. Indeed, even at the N-YHS, that hanging would be inexcusable, were it not for the fact that the whole point of The Works: Salon Style at the New-York Historical Society, (on view through February …