Rising up in the midst of the Charleston Historic District, what is today the Gibbes Museum of Art was founded in 1858 and has inhabited a sumptuous beaux-arts monument, inspired by the works of Andrea Palladio, since 1905.
On the road with Martin Johnson Heade
The itinerant artist is a staple figure in the cultural history of nineteenth-century America, but no one roamed more widely—in terms of both miles and artistic development—than the landscape and nature painter Martin Johnson Heade (1819–1904), who went from a farmland boyhood to become a favorite of princes and tycoons.
Great Estates: Frederic Church’s Olana in Hudson, New York
Our upcoming June issue features a number of exhibitions and events that mark the 100th anniversary of the Hudson-Fulton Celebration (and the 400th anniversary of Henry Hudson voyage up the eponymous river). Among them is a new exhibition at Olana, the estate of landscape painter Frederic Edwin Church, Glories of the Hudson: Frederic Edwin Church’s Views from Olana, which was …
ANTIQUES bookshelf
Published to coincide with an exhibition of the same title, Endless Forms: Charles Darwin, Natural Science, and the Visual Arts, is the first publication to examine Darwin’s influence on the world of visual art—from taxonomical drawing and landscape painting, to 19th-century aesthetic theories and impressionism. Diana Donald, former professor of art history and department head at Manchester Metropolitan University, and …
Summer in the Adirondacks
A “Wild, Unsettled Country”: Early Reflections of the Adirondacks, which opened last week, includes a selection of paintings, maps, prints, and photographs that illustrate the untamed Adirondack wilderness discovered by artists, photographers, and cartographers who visited the area in the nineteenth century. While tourists were flocking to Saratoga Springs, near what is today the southern boundary of the Adirondack Park, …