“There has never been another artist like George Caleb Bingham” Fig. 1. The Jolly Flatboatmen by Bingham, 1846. Oil on canvas, 38 by 48 ½ inches. National Gallery of Art, Washington, D. C., Patrons’ Permanent Fund. Before the middle of the nineteenth century, most American artists were “outsider” artists, in the sense that these denizens of the New World stood …
New light: More squares from Mrs. Miner’s carpet
Discoveries come in such unexpected ways. You can search for years for a missing piece of your puzzle without success. And then, sometimes, it falls in your lap! That is what happened last year when my friend Tom Jewett, of Jewett-Berdan Antiques, posted pictures of his Christmas decorations on Facebook. Tom and Butch Berdan go all out for Christmas at …
End notes: John Singer Sargent’s portraits at the MET
“Scintillating…addictive” applauded The Guardian; “outstanding…one of the best I’ve ever seen,” acclaimed The Telegraph; “mesmerising” said The Spectator. All were describing the exhibition Sargent: Portraits of Artists and Friends at London’s National Portrait Gallery earlier this year. But for anyone in New York this summer, it gets even better. An expanded version of the show of John Singer Sargent’s portraits …
Current and coming: The Scene
When it opened last fall on Newport’s swank Bellevue Avenue, the Audrain Automobile Museum was immediately up to speed (metaphors drawn from car culture are inexcusable but somehow inevitable with the Audrain), exhibiting a small but head-turning group of rare pre-World War II luxury cars, such as a fire-engine red 1930 Pierce-Arrow Convertible with a custom fitted compartment for your …
Bringing back the WAM!
In the 1960s when manufacturing wealth melted away in Worcester, Massachusetts, as it did in so many American cities, the city’s museum fell on hard times. It gradually lost its ability to innovate and thereby lost its momentum. Now that Worcester is reemerging as a vibrant part of the greater Boston area, WAM is also coming back, reconnecting with its …
George Washington’s brush with immortality: The hair relics of a sainted hero
The eighteenth century had no pollsters to assess what voters really thought about their politicians, but even without such data, the eulogistic editorials that announced George Washington’s death in December 1799 make clear that the country’s first president had assumed a status as close to sainthood as anyone has ever done in the United States. John James Barralet’s print The …
High tops and low
Among the contents of the Allen Ginsberg Papers in Stanford University’s Green Library is a pair of worn and dirty tennis shoes. In the thousand linear feet of correspondence, photographs, manuscripts and notes, reel-to-reel recordings, performance posters, and broadsides, the beat-up sneakers hold their own. Purchased during his 1965 visit to Czechoslovakia, it is reasonable to surmise that Ginsberg wore …
A message from the editor
We look forward to the merger of The Magazine ANTIQUES and MODERN Magazine with ARTNEWS S.A. as we expand our digital presence, reach new readers, and bring the best in scholarship and criticism on the fine and decorative arts to a global audience.
Disturbers of the Peace
Arthur Bispo do Rosário at the Colônia Juliano Moreira, photograph by Walter Firmo, 1985. Private collection; © Walter Firmo, image courtesy Livre Galeria. One sign of an important exhibition may be its ability to move us into unfamiliar territory. By that measure, as by others, the recent show at the American Folk Art Museum, When the Curtain Never Comes Down, …
On stage in the garden: The roots of Frida Kahlo’s art at the New York Botanical Garden
After decades of lionization, what more could there be to say about Frida Kahlo? A great deal, as a visit to Frida Kahlo: Art, Garden, Life, the new exhibition at the New York Botanical Garden, proves. All it took was a fresh perspective and a unique team of talents. Born in 1907, Kahlo was, along with her husband, fellow painter …







