Several years ago I visited the Reverend Peter Gomes, Harvard University’s chaplain and professor of Christian morals, to interview him about the way he had furnished Sparks House, the residence Harvard provides for its preacher. I was struck by the exuberance of his rooms, their voluptuous colors—golds, reds, and greens—their antiques—Yankee, French, Scottish, English—the dramatic spiral stairwell lined with wallpaper …
Pennsylvania style
Photography by Gavin Ashworth | It took knowledge—knowledge and taste together,” according to Harry Hartman of Harry B. Hartman Antiques and Interiors who helped to form this exceptional private collection of American furniture and folk art and American and Chinese export paintings. For nearly fifty years, the Hartman name has been synonymous with purveying fine antiques from southeastern Pennsylvania. This …
European elegance in San Francisco
Photography by Aya Brackett | One of California’s finest collections of eighteenth-century English and European decorative arts is to be found in San Francisco in a large Queen Anne revival house in Pacific Heights. Carefully chosen to evoke the atmosphere of an English country house or a French château, these objects shine brilliantly against the dark brown paneling in the …
Top Lots: 2009 Year in Review
TOP WARHOLWhat: 200 One Dollar Bills by Andy Warhol, 1962Where: Sotheby’s New York (November 11, Contemporary Art Evening Sale)Estimate: $8-12 millionSold For: $43.7 million A large-scale masterpiece from Warhol’s first series of silkscreened paintings, 200 One Dollar Bills was also from the artist’s second earliest group of serial works. Originally from the collection of Robert and Ethel Scull, the work …
At home with Christopher Dresser
Photography by Paul Rocheleau| from The Magazine ANTIQUES, December 2009. | When you visit Janet and Lawrence Larose’s New York dining room, you are surrounded by hundreds of objects designed by Christopher Dresser. They are artfully arranged on a series of shelves: teacups perch on lily-pad saucers; frogs leap around a bowl; butterflies flit across cloisonné skies; and cranes are buffeted …
American artists as they saw themselves
November 2009 | In The American School (Fig. 1) Matthew Pratt portrays himself seated at his easel, the sharp profile of his head silhouetted against the canvas, which bears his signature at bottom left. Holding a palette and maulstick to steady his hand, Pratt presents himself as a painter—an astonishing act of bravado as he had just arrived in England …
Timeless Tudor: Bradley Court in Gloucestershire
October 2009 | Photography by Nic Barlow | Tucked in the lee of a wooded scarp, looking down on a valley and beyond, to Wales, Bradley Court stands in its beautiful garden in Gloucestershire, a story of historical harmony and form. Originally a manor house belonging to the Berkeleys of nearby Berkeley Castle, the house was apparently built in l559, …
A guide to fall symposiums
To celebrate the fall season we’ve compiled an extensive—though not exhaustive—list of several upcoming symposiums that present an exciting and diverse roster of talks related to art history, decorative arts, design, and visual culture. We hope that you will have a chance to attend some. October 1-2, 2009“A Long and Tumultuous Relationship”: East-West Interchanges in American Art Smithsonian American Art …
The present learns from the past
September 2009 | The Shelburne Museum and The Magazine ANTIQUES have a long history together. Within a year of the museum fully opening in 1953, Alice Winchester, the magazine’s editor, introduced it to her readers as “one of the…most unusual museums” in the country, its “collection of collections” assembled over a lifetime by Electra Havemeyer Webb, whom she described, with …
Eyre Hall on Virginia’s Eastern Shore
September 2009 | Photography by Langdon Clay | “Eyre Hall…all through its venerable existence but another name for everything elegant, graceful and delightful in Old Virginia life.” Fanny Fielding’s nostalgic reminiscence of Eyre Hall during the ownership of John Eyre depicts a place we would recognize today.1 Still to be found are “the timely-clipped hedges of box and dwarf-cedar,” “the …