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We moved offices recently—and you all know what a joy moving can be. We’re now on the far west side of Midtown Manhattan, the neighborhood where two of New York’s great fictional characters resided: Nero Wolfe, the ingenious, orchidfancying, and largely housebound private detective, and his much more dynamic legman and chronicler, Archie Goodwin.
Driving into Blue Hill, Maine, it’s hard to miss the eleven-foot-tall bronze statue in front of an otherwise classic New England white clapboard building on Main Street: a glorious Native American figure in full stride raises his lacrosse stick high and cradles a ball in the pocket.
Today, the World Monuments Fund announced the completion of four years’ conservation work on two gardens in Agra, India.
While in New York recently, Stan Mabry, a fine arts dealer, did a double take. He saw a painting that he had known of for many years, but only as the centerpiece among many works of art in a black-and-white photo of a Paris studio in the 1890s.
Introducing a new section in which curators discuss ongoing research projects and other collection notes. First up, Alexandra Kirtley of the Philadelphia Museum of Art.
A pioneer of precisionist painting and geometric abstraction as well as a celebrated photographer, Ralston Crawford (1906–1978) was equally fascinated by mankind and the man-made. Both subjects—and a link between Crawford’s artistic practices—are explored in the exhibition Structured Visions: The Photographs of Ralston Crawford at the Nelson-Atkins Museum of Art.
A monumental exhibition at the Pompidou Center in Paris offers a comprehensive survey of cubism
At the Detroit Institute of Arts, an exhibition of found photographs offers a glimpse of the heart and soul of the city.