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It is hard for us now to recapture the sense of miracles that surrounded the woodcut in the waning days of the fifteenth century. The idea that an image could be cheaply and infinitely replicated meant that henceforth, art, and even great art, formerly the exclusive domain of princes and wealthy merchants, might adorn the lives of common men.
Even in such early work as The Clove, Catskills (1827) and View of Monte Video, the Seat of Daniel Wadsworth, Esq. (1828), the facture and compositional strategies employed by Thomas Cole—a working-class boy from northern England, self-taught as an artist—demonstrated surprising conversance with European landscape painting of the time.
The Met’s exhibition of work from the Souls Grown Deep Foundation has the power to reframe the critical discussion of art.
Many of our beloved antique shows and events have been postponed due to the global coronavirus situation. Please check back as we will post updates on this rapidly-developing situation evolves. As we await re-openings, enjoy some of the Digital Destinations below. Agnes Etherington Art Centre: Ontario, Canada Agnes Etherington Art Centre’s digital arm offers virtual exhibitions, digital publications, and interactive online experiences, …
The Winterthur Museum in Delaware unveils an eye-catching exhibition of seven new garden follies
William J. Hill, fondly known to friends and acquaintances alike as Bill, was a sixth-generation Texan and a native of Houston. His city is culturally richer for his lifelong contributions to many institutions, including the Children’s Museum, the Harris County Heritage Society, Project Row Houses, the Menil Collection, and the Museum of Fine Arts, Houston.
The twentieth century jeweler David Webb was known for his use of vibrantly-colored gems and enamels and frequent use of animal imagery. His eponymous firm carries on his legacy.
This New York Historical Society exhibition documents history through trends in footwear.
One of Britain’s most beguiling treasures, Wightwick Manor exemplifies the artful tastes and inviting comforts of late nineteenth-century country life
An exhibition at the Morgan Library explores the meaning of monsters in medieval manuscripts