In this episode of Curious Objects, Ben takes the measure of Noah Wunsch’s treasure—which ranges from a 60 BC Visigothic belt buckle to the zany artwork of Genieve Figgis—and learns how the collection was built.
City Folk
A new exhibition at the American Folk Art Museum explores the relationship between commerce and folk art in old New York
Curious Objects: Introducing the New Antiquarians
At the Winter Show’s 2019 sapphire jubilee, Curious Objects hosted a panel discussion with four young mavens of the antiques world—Michael Diaz-Griffith, associate executive director of the Winter Show; Emily Bode, designer and founder of fashion label Bode; Carleigh Queenth, vice president and specialist head of the European ceramics and glass department at Christie’s, New York; and Ben Miller—in the Park Avenue Armory’s resplendent Herter Brothers–designed Board of Officers Room.
Painting the New Parisians
An exhibition at Columbia’s Wallach Art Gallery includes a study of the black figure in the art of the French impressionists
Philadelphia Stories
Introducing a new section in which curators discuss ongoing research projects and other collection notes. First up, Alexandra Kirtley of the Philadelphia Museum of Art.
Rokeby: The past is present
In an excerpt from his new book, Life Along the Hudson: The Historic Country Estates of the Livingston Family, Pieter Estersohn examines the rich legacy of one of America’s great houses.
Curious Objects: One Year in the Books
We’ve arrived at the first anniversary of the podcast and we’ve decided to treat this as an occasion for a little retrospection–this is after all a podcast about antiques–and give you a compilation of some of the more interesting moments from the last year of Curious Objects.
Absent minded
It’s only late summer, but I believe we can already declare an award for bravest museum of the year: the National Portrait Gallery, in Washington, DC.
Eda Lord Dixon rediscovered
In 2014 the American Wing of The Metropolitan Museum of Art received a gift from devoted patron Jacqueline Loewe Fowler of a stunning Arts and Crafts silver and enamel hand mirror by Eda Lord Dixon. At the time, Eda was virtually unknown, even among Arts and Crafts silver scholars, principally because she rarely signed her work.
Karat + Tick: Form Watches
Form watches from the Munson-Williams-Proctor Arts Institute










