How a London gallery promotes a dialogue between historical and contemporary art
Looking both ways: A Pennsylvania collection keeps present and past in constant touch (From our Archives)
“My husband said the house screamed for antique furniture–but I have a hard time with sameness.”
Superfluity & Excess: Quaker Philadelphia falls for classical splendor (From our Archives)
By the middle of the eighteenth century the “greene Country Towne” founded by William Penn in 1682 was bustling with commercial and social activity
The (America) House that Mrs. Webb Built (From our Archives)
Aileen Osborn Webb (Mrs. Vanderbilt Webb) came from a family of art patrons
Object Lesson: All About the Windsor Chair
The work begins with the riving of logs
Seventeenth-century French enameled watches in the Walters Art Gallery (From our Archives)
In his book Old Clocks and Watches and their Makers, F. J. Britten notes that “watches with enamel painting before 1640 are exceedingly rare”
Taking Inventory: A Scholarly Appetizer of Scallops
A taste of the research to be found in the author’s forthcoming catalogue of early American furniture at the Philadelphia Museum of Art
Figures in a landscape: sculpture in the British garden (From our Archives)
No English country-house garden would be complete without the well-placed statue terminating a vista
Treasury Notes (From our Archives)
With a boost from Broadway, the caretakers of Hamilton Grange cast new light on the charms of Alexander Hamilton’s once bucolic home
Silver Stories from S. J. Shrubsole
The folks at the eminent New York gallery have responded to the challenge of the coronavirus much like the Florentines in The Decameron did to the Black Plague: by telling stories