Getting the blues: Transfer ware translated by three contemporary artists

Cillian Finnerty Furniture & Decorative Arts

You can only imagine what the china connoisseur in Edward Lamson Henry’s 1889 A Lover of Old China might think upon encountering a plate made by one of the three contemporary artists shown here. A Lover of Old China by Edward Lamson Henry (1841-1919), 1889.  Oil on academy board, 14 by 12 inches. Shelburne Museum, Vermont. We, on the other …

Current & Coming, January-March

Editorial Staff Exhibitions

For sheer variety of form, color, period, and place of origin it is difficult to match the offerings at the annual New York Ceramics Fair, where thirty-three tightly packed booths represent virtually everything in the world of fired clay-from purely utilitarian objects to those meant solely for aesthetic contemplation. Most of the dealers are from the United States, though there …