The colorful earthenware known as faience is an especially appealing category of French ceramics. Beginning this fall, the Frick Collection is exhibiting one of the finest private collections of early faience.
Dining by Design at Winterthur
The fifth installment of our web-only column on ceramics and glass.
The fourth installment of our web-only column on ceramics and glass.
A new installment of our web-only column on ceramics and glass.
The only thing more remarkable than John Bullard’s studio pottery collection is how quickly he became a connoisseur of the field.
A new installment of our web-only column about the worlds of ceramics and glass
Introducing a new monthly column for aficionados of ceramics and glass.
You can only imagine what the china connoisseur in Edward Lamson Henry’s 1889 A Lover of Old China might think upon encountering a plate made by one of the three contemporary artists shown here. A Lover of Old China by Edward Lamson Henry (1841-1919), 1889. Oil on academy board, 14 by 12 inches. Shelburne Museum, Vermont. We, on the other …
For sheer variety of form, color, period, and place of origin it is difficult to match the offerings at the annual New York Ceramics Fair, where thirty-three tightly packed booths represent virtually everything in the world of fired clay-from purely utilitarian objects to those meant solely for aesthetic contemplation. Most of the dealers are from the United States, though there …