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Editorial Staff Art, Exhibitions

“There has never been another artist like George Caleb Bingham”   Fig. 1. The Jolly Flatboatmen by Bingham, 1846. Oil on canvas, 38 by 48 ½ inches. National Gallery of Art, Washington, D. C., Patrons’ Permanent Fund. Before the middle of the nineteenth century, most American artists were “outsider” artists, in the sense that these denizens of the New World stood …

End notes: John Singer Sargent’s portraits at the MET

Editorial Staff Art

“Scintillating…addictive” applauded The Guardian; “outstanding…one of the best I’ve ever seen,” acclaimed The Telegraph; “mesmerising” said The Spectator. All were describing the exhibition Sargent: Portraits of Artists and Friends at London’s National Portrait Gallery earlier this year. But for anyone in New York this summer, it gets even better. An expanded version of the show of John Singer Sargent’s portraits …

End notes: Sylvia L. Yount takes charge of the Met’s American Wing

Editorial Staff Magazine

Based as we are in New York, the staff of The Magazine ANTIQUES has a fond if not proprietary tendency to look upon the Metropolitan Museum of Art, especially its American Wing, as our “local” museum. So when we heard the news that the redoubtable Morrison H. Heckscher was retiring after forty-eight years, thirteen of them as head of the …

New Light on the Old Masters

Editorial Staff Art

from The Magazine ANTIQUES, September/October 2013. In its ceremony and its symbolism, the staircase that leads up to the Metro­politan Museum’s galleries of Old Mas­ter paintings is one of the grandest theatrical experiences that New York has to offer. There are elevators, of course, and an escalator has been discreetly tucked away on the left. But to use them is …

The Worsham-Rockefeller rooms

Editorial Staff

In New York in the 1880s—the gilded age when the likes of the Rockefellers, the Vanderbilts, and the Goulds were building their mansions along and near Fifth Avenue—the new aesthetic style often reigned supreme as the choice for their grand interiors. Herter Brothers, Kimbel and Cabus, Pottier and Stymus, Leon Marcotte are just a few of the firms that catered …

Art at all costs

Editorial Staff

A series of recently announced budget cutting measures by a number of museums raises tricky questions about the value of the arts, the responsibilities of museums to the public and expectations for their profitability, and even the prospects of a degree in the humanities. Just last week, the board of the Metropolitan Museum of Art announced its decision to close …

America in 3 by 5

Editorial Staff

February 2009 | Walker Evans believed in picture postcards. The great photographer began collecting them as a boy, years before he ever snapped his first picture. Throughout his life he celebrated them, wrote about them, experimented with the format, and continued to collect them. “On their tinted surfaces,” he wrote in a 1948 Fortune magazine article, “were some of the …

Anna Katharine Green and Charles Rohlfs: Artistic collaborators

Editorial Staff

December 2008 | Charles and Ray Eames, Russel and Mary Wright, Charles Rennie Mackintosh and Margaret Macdonald—the artistic collaboration of such husband and wife teams is now understood as an important aspect of twentieth-century design. In some of these joint enterprises, the wives functioned as administrators or business women; in others the collaborative endeavor was considerably more artistic. For the …