Little known except to connoisseurs—Amy Finkel calls it “one of Philadelphia’s hidden treasures”—the Robert and Penny Fox Historic Costume Collection at Drexel University is about to come into the limelight. We spoke to Clare Sauro, its curator and the organizer of its first major exhibition, Immortal Beauty: Highlights from the Robert and Penny Fox Historic Costume Collection, which will be …
“As seen through the work of women”: The New Hall Art Collection at Cambridge University
Art pilgrims intent on making Cambridge, England, their destination should extend their journey beyond the university’s majestic Fitzwilliam Museum and its old masters and Kettle’s Yard, the fey modernist cenacle of British art between the wars, to include the New Hall Art Collection at Murray Edwards College, one of three exclusively women’s colleges at the University of Cambridge. Unknown to …
Editor’s letter, September/October 2015
One afternoon not long after I began working here I opened a letter that asked me a challenging question: how, the writer wanted to know, “did a Polack [sic] like you get your position?” After a few jolly moments in the office I called our longtime editor Wendell Garrett, who enjoyed odd news from the passing scene. Wendell was amused, …
Speaking Through Wood
The Civil War has left its mark on two important pieces of vernacular furniture acquired by the Wadsworth Atheneum Fig. 1. Secretary-bookcase attributed to members of Connecticut’s 16th Infantry, made to honor brothers Wells (1845–1904) and John Bingham (1844 –1862), 1876. Walnut, oak, ebony, poplar, pine, maple, metal, glass, muslin, silk, bone, horn, abalone, and Seth Thomas movement; height 95 1⁄2, …
One Off
“There has never been another artist like George Caleb Bingham” Fig. 1. The Jolly Flatboatmen by Bingham, 1846. Oil on canvas, 38 by 48 ½ inches. National Gallery of Art, Washington, D. C., Patrons’ Permanent Fund. Before the middle of the nineteenth century, most American artists were “outsider” artists, in the sense that these denizens of the New World stood …
New light: More squares from Mrs. Miner’s carpet
Discoveries come in such unexpected ways. You can search for years for a missing piece of your puzzle without success. And then, sometimes, it falls in your lap! That is what happened last year when my friend Tom Jewett, of Jewett-Berdan Antiques, posted pictures of his Christmas decorations on Facebook. Tom and Butch Berdan go all out for Christmas at …
End notes: John Singer Sargent’s portraits at the MET
“Scintillating…addictive” applauded The Guardian; “outstanding…one of the best I’ve ever seen,” acclaimed The Telegraph; “mesmerising” said The Spectator. All were describing the exhibition Sargent: Portraits of Artists and Friends at London’s National Portrait Gallery earlier this year. But for anyone in New York this summer, it gets even better. An expanded version of the show of John Singer Sargent’s portraits …
Current and coming: The Scene
When it opened last fall on Newport’s swank Bellevue Avenue, the Audrain Automobile Museum was immediately up to speed (metaphors drawn from car culture are inexcusable but somehow inevitable with the Audrain), exhibiting a small but head-turning group of rare pre-World War II luxury cars, such as a fire-engine red 1930 Pierce-Arrow Convertible with a custom fitted compartment for your …
Bringing back the WAM!
In the 1960s when manufacturing wealth melted away in Worcester, Massachusetts, as it did in so many American cities, the city’s museum fell on hard times. It gradually lost its ability to innovate and thereby lost its momentum. Now that Worcester is reemerging as a vibrant part of the greater Boston area, WAM is also coming back, reconnecting with its …
George Washington’s brush with immortality: The hair relics of a sainted hero
The eighteenth century had no pollsters to assess what voters really thought about their politicians, but even without such data, the eulogistic editorials that announced George Washington’s death in December 1799 make clear that the country’s first president had assumed a status as close to sainthood as anyone has ever done in the United States. John James Barralet’s print The …






