The only thing more remarkable than John Bullard’s studio pottery collection is how quickly he became a connoisseur of the field.
Day Trip Scrapbook: Hudson Valley Sunday
Look at some photos from our Sunday tour in the Hudson Valley
Majestic Makeover
A royal residence gets a dazzling touch-up.
A Philadelphia flaneur
Our former editor in chief takes us on a stroll to some of her favorite places in the city.
A tastemaker and her rediscovered treasures
For the insatiable salonniere Mabel Dodge Luhan, life’s must-haves were animate. The doyenne of modernism and social rival to Gertrude Stein called herself “a collector of people who made a difference.” Photographer Ansel Adams—one of dozens of painters, photographers, writers, scholars, and assorted intellectuals drawn into her orbit in Florence, New York, and Taos in the first half of the …
Last but not least.
One might be forgiven for thinking that the opening in 2014 of the stunning Tadao Ando–designed Clark Center at the Sterling and Francine Clark Art Institute capped the long-term expansion and renovation of the institution’s bucolic campus in Williamstown, Massachusetts. But the plan actually culminates this spring with the installation of the Clark’s American decorative arts collections on the top floor of the renovated Manton Research Center.
Lone star
How Ima Hogg brought modern art to Texas.
Living with Antiques: Compass Points
The man who brought together the furniture and works of art in two Texas homes takes inspiration from several directions.
The substance of remembering: A collector’s quest
Can there be more than one Robert Hicks operating out of a cabin called “Labor in Vain” somewhere near Nashville, Tennessee? You might be forgiven for thinking so. The Robert Hicks whose essay appears below is also a best-selling novelist (The Widow of the South, A Separate Country, and the forthcoming The Orphan Mother); a former music publisher and artist manager for a …
Cajun and Creole, the rough and the fine
Over the past ten years Wade Lege has rescued some of the disappearing landmarks of his native Louisiana, beginning with a group of Acadian cottages and culminating in the ongoing restoration of a Greek revival house originally from Kismet plantation. Wade Lege sold an early nineteenth-century armoire to pay for his architectural Moby Dick. With the proceeds, he got forty-five …