JULY/AUGUST 2019


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On the cover: The Oarsman (The Galley Slave), a c. 1926 bromoil print by William Mortensen, hangs above a c. 1900 dogwood side table. Photograph by Ellen McDermott.



Features



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Portraits by a Minister's Daughter

New scholarship offers insights into the life of the elusive early American artist
Mary B. Tucker

Michael R. Payne and Suzanne Rudnick Payne
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Revolutionary Renaissance Man

Looking past his famous ride, the American Antiquarian Society charts the
career of Paul Revere as an artist and entrepreneur

Lauren B. Hewes and Nan Wolverton
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A River Runs Through It

A new exhibition at the Pennsylvania Academy examines the influence of
the Schuylkill River artists

Anna O. Marley
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Craftsman Home

The house in California built by the great studio woodworker Sam Maloof
is a hymn to the virtues of the made by hand

Robert Atkins
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Sew on and Sew Forth

The American Folk Art Museum shows off a recent gift of quilts

Stacy Hollander
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Two Journeys, One Destination

The consummation of an immigrant odyssey, the Vilcek Foundation charts
the artistic argosy of Ralston Crawford in the inaugural exhibition at its new home

Elizabeth Pochoda
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Escape Artist

An exhibition at the Brandywine River Museum surveys the adventurous
enchantments of illustrator N. C. Wyeth

James Gardner
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Bent Pennies

Remembering a collector who celebrated beauty born of human frailty

Gregory Cerio