Only nine times in his seventy-eight years did Jean-Baptiste-Camille Corot paint on anything other than canvas, paper, and panel
Current and coming: Two Titans at the Barnes Foundation
An exhibition at the Barnes Foundation unites the work of Soutine and de Kooning
Personal space: A Teenager Talks about Art Appreciation
A Teenager Talks about Art
Appreciation: Insight on creating
inspiring compositions that
command attention
Wandering Eye: A Voyeuristic Eye at the Soda Shoppe
What the editors of The Magazine ANTIQUES are looking at this week
Critical thinking|Difficult issues: Works of Faith
When we are able to return, will we all, collectively, step into the nearest museum, and break down crying?
Wandering Eye: The Critical Eye
What the editors of The Magazine ANTIQUES are looking at this week
From the Archives : Iron in the Gilded Age: Samuel Yellin at Stan Hywet Hall
Samuel Yellin received what would prove perhaps his single most important early commission in 1914, for the Frank Augustus Seiberling estate in Akron, Ohio.
Editor’s letter: March/April 2021
Editor Gregory Cerio welcomes us to the March/April 2021 issue
End notes: Edifice Techs
For Robert Leath and the new team at the Classical American Homes Preservation Trust more time has truly been a gift.
Burning Man
The artist Will Shuster brought an Ashcan school sensibility to New Mexico, and left the city of Santa Fe with one of its most beloved public festivals