The Jewish Museum explores Modigliani’s lonely sense of self
A new exhibition examines the luxury arts of the ancient Americas
Fashion and the Wiener Werkstätte
As a symbol of fortitude and flexibility, bamboo often appears in Japanese art depicting rough weather—bearing up under high winds or the burden of snow, bending yet refusing to break.
Everyone talks about the weather. Charles Burchfield turned it into art. He rendered its shifts, subtle or severe, in watercolors and sketches, giving visual expression to the humidity on a summer evening, or the faint warmth of the sun on a spring afternoon.
Sanford R. Gifford in the Catskills is the name of an intimate, beautifully curated exhibition on view at the Thomas Cole National Historic Site in Catskill, New York. But the show could also have been subtitled Local Boy Makes Good.
Pennsylvania impressionist George Sotter (1879–1953) excelled as a stained-glass artist before he turned his talents to landscape painting, and his facility with that first medium perhaps gave him a special understanding of the effects of light and color.
Courtier, boudoir aficionado, jailbird, and escape artist, Giacomo Casanova (1725–1798) was the perpetual motion libertine of Enlightenment Europe. He wrote what is probably history’s most salacious tell-all, Histoire de ma vie (Story of My Life), recounting all he did, and, to the delight of art lovers, some of what he saw.
On October 7, the Amon Carter Museum of American Art in Fort Worth, Texas, welcomes a traveling exhibition that the organizers deem to be the first of its kind: a major survey of hunting and fishing in American art from the early nineteenth century to the start of World War II.
The name Kipling is synonymous with British India in the nineteenth century, but a new exhibition at the Bard Graduate Center Gallery in New York hopes to foster associations beyond Gunga Din, Kim, and Peachey Carnehan.