A pioneer of precisionist painting and geometric abstraction as well as a celebrated photographer, Ralston Crawford (1906–1978) was equally fascinated by mankind and the man-made. Both subjects—and a link between Crawford’s artistic practices—are explored in the exhibition Structured Visions: The Photographs of Ralston Crawford at the Nelson-Atkins Museum of Art.
At the Detroit Institute of Arts, an exhibition of found photographs offers a glimpse of the heart and soul of the city.
An exhibition at the Georgia Museum of Art examines the career of Doris Ulmann, from New York portrait studio to the byways of Appalachia
Mexico’s surrealist painters and writers are well-known; perhaps less familiar are its surrealist photographers.
Not an Ostrich: And Other Images from America’s Library, on view this summer at the Annenberg Space for Photography in Los Angeles
Peter Aaron’s photographs preserve the majesty of Levantine sites damaged and destroyed in the ongoing conflict
Clarence H. White, one of the pioneers of the pictorialist style in photography, is having his first retrospective in more than a generation, a traveling show now on view at the Davis Museum at Wellesley College.
A body of work that has received scant attention from collectors is on view this spring at the National Gallery of Art.
An adventurous photographer and a Midwestern librarian—trailblazers both.
The subject of a new exhibition at the Palmer Museum of Art at Penn State University, the photographer Eva Watson-Schütze (1867–1935) was a leading member of the Photo-Secession, the early twentieth-century movement founded by Alfred Stieglitz that sought to elevate photography to the status of fine art.