Magazine Jan/Feb 2022

Gregory Cerio

No Laughing Matter
Glenn Adamson

Exhibitors at New York’s Winter Show describe some of the exceptional offerings that they will bring to this year’s edition at the Park Avenue Armory

Van Gogh exhibitions in Ohio and Texas, a soulful acquisition by the Toledo Museum goes on view, photographer Ralph Eugene Meatyard in the wild, and more

Rockefeller vs. Rivera, plus Pedigreed Silver
Sammy Dalati

Collecting Florida: How a couple built—and later donated—a museum-worthy art collection (with a tiny bit of help from The Magazine ANTIQUES)
Henry Adams

New York’s Merchant House Museum: A slice of nineteenth-century upper-class life on the Lower East Side
Sharon Twickler

Lover’s Eyes: Eye Miniatures from the Skier Collection
Elizabeth Mankin Kornhauser

Conjuring a Creole Past: The paintings of Andrew LaMar Hopkins blend romanticized cultural history with a scholarly eye for art and antiques
John Berendt

Looking at the Past through a Lens of Antique Glass: How small, insignificant-seeming things have important stories to tell
Benjamin Davidson and Pippa Biddle

Notable museum catalogues and other books from the past year
Elizabeth Lanza

Elizabeth Lanza

At ANTIQUES, Collegiality Forged by J. R. Ewing and Twizzlers
Eleanor H. Gustafson

Part I: A profile of founding editor Homer Eaton Keyes

Elizabeth Stillinger

What our most popular feature series, “Living with Antiques,” tells us about time, taste, and our mercurial rapport with the material realm

Laura Beach

A personal journey through a watershed year, 1922

Elizabeth Pochoda

On the occasion of the one hundredth anniversary of our magazine’s founding, curators and scholars, members of the art and antiques trade, collectors, and other readers sent us tributes, memories, comments, and reflections

A young antiques dealer and his peers offer their vision for the future of the trade

Adam Irish

Winter edition

At the northern end of the Catskills sits a mountainside social enclave with a peerless artistic and literary pedigree

Jane Curley with photographs by Pieter Estersohn

As the American Folk Art Museum enters its seventh decade, a salute to the women who made the institution and its collection great

Eileen M. Smiles