MARCH/APRIL 2022
Editor's Letter
Gregory Cerio
Critical Thinking/Difficult Issues
Tomorrow, and Tomorrow, and Tomorrow
Glenn Adamson
Current and Coming
New galleries of Native American and American art at the Peabody Essex, André Kertész photography at the High, and the best of the collection at the American Folk Art Museum
Farther Afield
Digital Doings
Bogus Cinderellas and Curated Curios
Sammy Dalati
Field Trip
Eyre Hall in Virginia: All about the historic estate at the southern tip of the Delmarva peninsula
Ralph Harvard
Artist Profile
On Books
A new authoritative biography of artist Florine Stettheimer
Elizabeth Pochoda
Object Lesson
Ships of Bone and Hair: The art of French prisoners of the Post-Revolution and Napoleonic Wars
Benjamin Davidson and Pippa Biddle
Events
Elizabeth Lanza
Endnotes
Kith and Kiln: Making a gift to fellow collectors and scholars
Eleanor H. Gustafson
Features
ANTIQUES in the Beginning
Part II: The enterprising editor Alice Winchester
Elizabeth Stillinger
Black Dolls
A new exhibition at the New-York Historical Society prompts an expanded reprise of one of our all-time favorite articles
Margo Jefferson
Selections from 100 Years of ANTIQUES Covers: Early Spring edition
Martin Minerva
A Simple Plan
The Paul Schweikher House outside Chicago stands as a testament to one architect’s mastery of space and material
Thomas Connors
Casting a Cold Eye on Life and Death
The Met surveys the art of Winslow Homer through the lens of conflict
James Gardner
Across 110th Street
A new exhibition examines the life and work of photographer and writer Carl Van Vechten, controversial chronicler of the Harlem Renaissance
Thomas Connors