Did you ever wonder how Ruth Bader Ginsburg’s use of distinctive collars with her judicial robes ever came about?
Current and Coming: Hopper’s New York at the Whitney
Edward Hopper has a strong claim to being the Whitney Museum of American Art’s favorite artist: an institution within the institution.
Pulling Rabbits Out of a Hat
Alfred Maurer was at the forefront of aesthetic developments throughout his prodigious thirty-five-year career.
Ozark Roadside Tourist Pottery: The Legend of Harold Horine
On a day in 1935, ceramist Harold Horine and his mother packed up their car in their hometown of Hollister, Missouri, and headed west.
Job Posting: Part-time Digital Media and Editorial Assistant — Remote
The Magazine ANTIQUES, celebrating more than 100 years as the leading American journal of historical art and design scholarship, seeks a part-time Digital Media and Editorial Assistant to join our staff.
We’re No Angels: Women and allegory in the art of Mary Lizzie Macomber
Mary Lizzie Macomber was among the late nineteenth-century American artists who closely emulated the figurative work of the Pre-Raphaelites
Current and Coming: Morris Hirshfield at AFAM
Here is proof, once again, that the spark of artistic genius may glow in the hearts of even the most unlikely-seeming people.
Field Notes: Philadelphia Stories
Big things are afoot at the Pennsylvania Academy of the Fine Arts, this country’s first museum and school of fine arts, very big things.
Current and Coming: Delayed Debuts in Greenwich
In Connecticut, the Greenwich Historical Society has finally been able to mount Life and Art: The Greenwich Paintings of John Henry Twachtman.
THE FLOWERING OF AMERICAN IMPRESSIONISM IN GLOUCESTER
How Frank Duveneck fostered the rise of a new painting genre in the coastal Massachusetts town of Gloucester