Henrietta Johnston’s portraits of Colonel John Moore and his wife, Frances Lambert Moore
The Other O’Keeffe
Overshadowed by her sister Georgia, Ida Ten Eyck O’Keeffe gets her day in the sun with an exhibition at the Dallas Museum of Art
The unexpected virgin
While in New York recently, Stan Mabry, a fine arts dealer, did a double take. He saw a painting that he had known of for many years, but only as the centerpiece among many works of art in a black-and-white photo of a Paris studio in the 1890s.
Women’s work at Hawthorne Fine Art
As the cultural tides seem finally to be lifting women artists into prominence on par with their male counterparts, more and more are emerging into public view. Several museums and galleries are presenting women artist- Hawthorne Fine Art focused shows, and one of these is at Hawthorne Fine Art in New York, where you can find the selling exhibition Breaking All Bounds: American Women Artists (1825–1945).
Brothers in art and arms
Franz Marc and August Macke were both young artists—twenty-nine and twenty-three, respectively—when they first met in Munich in January 1910. Marc was Bavarian and Macke was from the Rhineland. They soon became friends and visited each other’s studios in and near Munich. They shared many affiliations, friends, and interests.
The drama of Delacroix at the Met
Though it’s a distinct handicap when a major retrospective of a great artist is missing one of his best—and certainly best-known—paintings, it says something that the exhibition Delacroix at the Metropolitan Museum of Art in New York loses little of its force despite the fact that July 28, 1830: Liberty Leading the People stayed home at the Louvre.
An early American art entrepreneur at the Speed
Let the Thomas Coles and Sanford Giffords of the world woo rich patrons, the artist Thomas Chambers went after aspiring members of the middle class, eager to have tokens of refinement in their home—a sweeping vista of Niagara Falls or the Bay of Naples, or a stirring depiction of a battle at sea.
New Life for a Renaissance Woman from Brooklyn
Back in January, a painting at Skinner Auctions’ sale of American and European Works of Art caught the eye of journalist and historian Eve M. Kahn. It was striking: a seated, semi-nude woman wearing a long, flowing train, tightly cropped and rendered with deft, impressionistic brush strokes. Kahn was eager to learn more about the artist, Edith Varian Cockcroft (1881–1962), but the facts of the Brooklyn native’s life proved elusive.
The surreal art of the Chicago saloniste Gertrude Abercrombie
About forty works of art—mostly paintings—by the self-anointed “Queen of Chicago,” are on view in Gertrude Abercrombie: Portrait of the Artist as a Landscape, a show that originated at the Elmhurst Art Museum and will be presented at the Illinois State Museum this spring.
Embodied ideals
How John Sloan used the nude as a vehicle for artistic experimentation and political expression.