As the cultural tides seem finally to be lifting women artists into prominence on par with their male counterparts, more and more are emerging into public view. Several museums and galleries are presenting women artist- Hawthorne Fine Art focused shows, and one of these is at Hawthorne Fine Art in New York, where you can find the selling exhibition Breaking All Bounds: American Women Artists (1825–1945).
Franz Marc and August Macke were both young artists—twenty-nine and twenty-three, respectively—when they first met in Munich in January 1910. Marc was Bavarian and Macke was from the Rhineland. They soon became friends and visited each other’s studios in and near Munich. They shared many affiliations, friends, and interests.
Though it’s a distinct handicap when a major retrospective of a great artist is missing one of his best—and certainly best-known—paintings, it says something that the exhibition Delacroix at the Metropolitan Museum of Art in New York loses little of its force despite the fact that July 28, 1830: Liberty Leading the People stayed home at the Louvre.
Let the Thomas Coles and Sanford Giffords of the world woo rich patrons, the artist Thomas Chambers went after aspiring members of the middle class, eager to have tokens of refinement in their home—a sweeping vista of Niagara Falls or the Bay of Naples, or a stirring depiction of a battle at sea.
Back in January, a painting at Skinner Auctions’ sale of American and European Works of Art caught the eye of journalist and historian Eve M. Kahn. It was striking: a seated, semi-nude woman wearing a long, flowing train, tightly cropped and rendered with deft, impressionistic brush strokes. Kahn was eager to learn more about the artist, Edith Varian Cockcroft (1881–1962), but the facts of the Brooklyn native’s life proved elusive.
About forty works of art—mostly paintings—by the self-anointed “Queen of Chicago,” are on view in Gertrude Abercrombie: Portrait of the Artist as a Landscape, a show that originated at the Elmhurst Art Museum and will be presented at the Illinois State Museum this spring.
How John Sloan used the nude as a vehicle for artistic experimentation and political expression.
The artist Annie Traquair Lang begins to emerge from the shadow of her mentor and paramour, William Merritt Chase.
The life and career of Edith Dimock Glackens.
On view at the National Gallery of Art, Fragonard’s tetes de fantaisie evince some of the earliest stirrings of modernism.